- #Akai professional mpc 2500 drivers
- #Akai professional mpc 2500 manual
- #Akai professional mpc 2500 upgrade
- #Akai professional mpc 2500 Pc
It works like a charm and you can watch the bar graph jump around on the LED. You can then record volume and pan changes with the Q-Link. Mix automation is recorded by selecting 'record mix changes' on the mixer page. The step edit is still available, and you'll need it to edit other types of MIDI data, such as pitch bend and control changes. I found it easy enough to tidy up patterns that I had jammed in Live and add nice touches. You can get stuck into the basics of each note, such as tuning and length, as well as the details, including filter and envelope settings. You can enter steps by selecting their position with the scrub wheel, and enter them by hitting the pad while the overdub button is engaged. The Grid editor is similar to the step editor but graphically depicts the quantise steps in a pattern, scrolling from left to right. Two new additions to the sequencing palate are the Grid editor and Mixer automation. Overall the Q-Links have a smooth feel, and we get the impression they're built to last. In Trim and Loop mode, the faders are used to move the sample start and end points, although it can get a bit awkward since they only work if you press the 'after' button adjacent to it. You can also set the FX send on the FX window, and it would be helpful to be able to use both sets of Q-Links, either to control all three parameters together or, otherwise, two simultaneous channels. Set-up is straight forward, but you must remember to set the range of the fader relative to the parameters initial values, otherwise you might not notice any changes.Īll motions can be recorded as part of a sequence, which is handy because in Mixer mode the rotary and fader act like a channel strip's volume and pan. You can still chose to use this 'note-on' style of adjustment, and some parameters, like the envelope settings, can only use this mode. Not all parameters are assignable, neither are effects, but the good news is that you can now do sweeps in real-time, compared to the 2000, which could only take a setting when the sample was triggered and then remained static until the next hit. These four can be assigned to a pad's parameters, such as filter cut-off and tuning. Real-time control has been improved the 2500 now sports two faders and a pair of rotaries, known as 'Q-Link'. If you want to play a snare with articulation and detail on one pad and bash out a kick with brute force on another, you've got four velocity curves and 16 levels of sensitivity to fine-tune it. You can customise the sensitivity and velocity curves of each individual pad, which is great, as it can really help you get the right feel for each sample you might be jamming with. If the MPC is all about the pads, then how do they compare to the 2000's? Well, they're very smooth, the resistance is harder in the middle area and very flexi on the edges - more like the 1000's pads. If you're coming from the 1000, however, you get maximum compatibility.
#Akai professional mpc 2500 upgrade
If you are looking to upgrade from the 2000xl then it's worth knowing that you can only take your seq, pgm, wav and snd files. Polyphony is identical at 32 voices and MIDI ports are the standard - two in (merged) and four out, addressing 64 channels in total. The core sequencing power remains the same, with 64 tracks per sequence, but oddly enough Akai have reduced the maximum amount of events down from 300,000 (on the 2000xl) to 100,000.
#Akai professional mpc 2500 manual
There's not a daunting amount of windows to memorise, but you'll need the manual to find all of them. You can become very efficient with an MPC after spending a day with one. Navigation continues in the old tradition, using a main window for the essential sequence info, and a mode button for accessing the other functions like recording, trimming, editing and mixing. You do need to have a compact flash card or HD installed to transfer files you can't operate the MPC while transferring, and you need to disconnect from the computer to recommence programming.
#Akai professional mpc 2500 drivers
No drivers are needed with Windows 2000/XP or OS 9.1/X, and it shows up as a removable drive.
#Akai professional mpc 2500 Pc
There's also a USB port for connecting directly to your PC or Mac. You can opt to fit a 2.5-inch laptop style hard drive internally for added storage and there's space for a CDR-W drive. There's also a built-in compact flash card reader thrown in. The layout is changed from the 2000xl - the sliders are on the left, the pads are now in the middle and the shuttle controls and scrub wheel are on the right.Īs standard it ships with 16MB RAM, which equates to 136 seconds of mono sampling. It weighs in at six kilos and is totally silent in use.
The body is built of metal, and the side panels are plastic, the rubber feet are quite small and it sits quite flush to the table.
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